Skopje is not a pretty city.
While I do think that Skopje is beautiful, it is definitely not pretty. Words that immediately spring to mind when I think of the cityscape: grey, blocky, concrete, polluted, bizarre, dirty, shambolic, hostile. The old Skopje was mostly destroyed in an earthquake in 1963 and redesigned by a Japanese architect according to Communist tastes (and budgetary constraints). Since Tokyo is also remarked upon as a particularly ugly city (and from experience there I can see the resemblence), this did not turn out well.
But there is oppressive, irritating ugliness, and then there is magnificent ugliness. Ugliness so unabashed you are helplessly charmed by it. Ugliness accomplished to perfection, executed with masterly percision and grace. Ugliness as it should be. That’s Skopje to me, ugliness so bad it’s good, but it’s hard to pick out any choice examples without showing you the whole city.
This place may give you a good idea of what I mean though.
Ss. Cyril and Methodius University

Jutting block towers, curiously placed archways, utter indifference to any sense of comfort or welcoming ambiance; this is the university.

It’s quite thematically coherent, actually. Each building is a unique variation on the same harsh theme. I guess crushing your will to live beneath the mighty hammer of Industry and Progress is one way to encourage a scholarly mindset.

The whole complex gives me the feeling that I’m living in a brutialist utopia of The Future! With concrete rocket ships powered by the Will of the Proletariat!

At the center is a courtyard that the faculties of law, economics, philology, philosophy, and the administrative center surround. There aren’t really any benches or anywhere to rest though. Just one big expanse of asphault and the occasional stray dog.

There’s a statue in the courtyard of St. Cyril and St. Methodius, the founders of Slavic literacy. They devised the Glagolithic alphabet for Old Church Slavonic (the Slavic equivalent to Latin) and used it to translate scripture and proselytize to the Moravians. Since they came from Thessaloniki, which at the time (and indeed up until the twentieth century) was a Slavic-speaking city, they’re considered an integral part of Macedonian national heritage and thus lend their names to the university. Ironically enough, St. Cyril and St. Methodius did not invent Cyrillic, the alphabet currently used in Macedonia and some other Slavic-speaking countries such as Russia. Rather, it was invented later (by who is still controversial) and named after St. Cyril in honor of his contributions.

This is the entrance to my faculty, the philological faculty “Blaže Koneski” (who was the codifier and standardizer of the modern Macedonian language).

When you come into the atrium, you’re immediately greeted by a big staircase and more tubular concrete fantasmagory.

They try to spruce it up with some plants, which probably die off rather quickly from all the lingering cigarette smoke. During busier hours of the day, those perches are packed with smoking students. No smoking signs are all over the place, incidentally. I once saw a janitor feebly demand two students put out their cigarettes. The only response he got was eye rolling and more vigorous smoking.

There’s a café where the students gather to cluster around tables, smoke some more, drink coffee and eat fast food. Like in almost every restaurant and café in Macedonia, the staff comes to you to take your order. But there’s a healthy dose of surliness with the service to keep it student-budget appropriate. There’s also a slightly cushier, closed-in faculty section I’ve been invited into to talk with professors (making me stand out as the only student in the area). Walking into there is like walking into a fog of smoke. It makes the rest of the atrium look like a poster picture for the beauties of smoke-free public spaces in comparison.

This is the philosophy faculty’s student registration center (each faculty has its own registration). In Macedonian, studentski prašanja. For some reason both the philosophical and the philological faculties’ student registration centers are extremely fancy. It’s disconcerting to have a regal oak door in the middle of a run-down, concrete atrium.

There’s an upstairs with more seats and always plenty of bustle, since this is where a lot of the faculty members have their offices. Students are generally in a panic trying to hunt down professors to ask questions. Professors lock their doors and the main faculty office is behind a passcode to keep themselves from being bothered. To be fair to the professors, students seem to have no qualms about barging in on conversations or office hours to interrupt everything with their question, so it makes some sense to keep doors locked. Professors even have to lock the doors to classrooms to keep students from walking in twenty, thirty, or even forty-five minutes late without a hint of contrition. But it means there’s always a mass rush for the professor when he or she leaves the office/classroom.

It’s not unusual to have a bunch of reproductions of statues from antiquity scattered around government buildings. This is part of the propaganda warfare with Greece. The state university is just another division of the government, so your requisite statues make their appearance.
So ugly it’s beautiful. Gods bless Skopje.
Le chat ronfle et tu parles dans ton sommeil
Et pourtant moi, je n’arrive pas à fermer l’œil.